Xuefei Yang, guitar
»X Culture«
Pioneer with an international career
»Fervent virtuosity, impeccable technique, sensitive musicality« – so enthuses the New York Times about the Chinese guitarist Xuefei Yang. This musician is a real pioneer of the guitar world: she was one of the first to start a global career as a classical guitarist from Peking after China’s cultural revolution (a period in which Western instruments and music were banned in China). When she performed in Madrid for the first time aged 14, at the epicentre of the guitar world, composer Joaquín Rodrigo came to hear her in person. She has now played concerts in over 50 countries, is not only a noteworthy virtuoso, but also constantly expands the guitar repertoire with new arrangements and commissioned works – as also in her new project that she presents at the Elbphilharmonie: »X Culture«.
»X Culture is a homage to the variety and a sign of the creativity that arises if you open up to other cultures,« Yang says. Different cultures always blend in the works that she collated on her 2023 album of the same name: for instance, the Italian composer Carlo Domeniconi is evocative of a mysterious Turkish soundscape in »Koyunbaba«, there are European composers, inspired by the Far East (Steve Goss: »Chinese Garden« and Mark Houghton: »Dance of the Orient«), conversely Tan Dun’s »Seven Desires« draws from the soundscape of Spanish flamenco. »The album reflects my own intercultural journey,« says Yang. It has also always been a concern of hers to enhance the western ideas of »classical« music with Chinese traditions and sounds. She consequently also opens her Elbphilharmonie concert with arrangements of Chinese folk songs.
Programme (booklet)
Prelude »guitar«: the concert introduction
Performers
Xuefei Yang guitar
Programme
»X Culture«
Traditionell
A Moonlit Night on the Spring River / adaptation for guitar by Xuefei Yang
White Snow in the Spring Sunlight / adaptation for guitar by Xuefei Yang
Stephen Goss
The Chinese Garden
Tan Dun
Seven Desires for Guitar (selection)
Carlo Domeniconi
Koyonbaba Suite, Op. 19
– Interval –
Leo Brouwer
Hika / In memoriam Tōru Takemitsu
Ryūichi Sakamoto
Merry Christmas, Mr. Lawrence / adaptation for guitar by Hirokazu Sato
Changjun Xu
Sword Dance / adaptation for guitar by Xuefei Yang
Mark Houghton
Dance of the Orient
Nikita Koshkin
Usher Waltz after Edgar Allan Poe
Jiří Jirmal
Baden Jazz Suite
Encore:
Roland Dyens
Tango en Skai
Francisco Tárrega
Recuerdos de la Alhambra for Solo Guitar
Dilermando dos Santos Reis
Eterna Saudade für Gitarre solo
Promoter: HamburgMusik
Location
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Elbphilharmonie
Kleiner Saal
The Recital Hall, designed in contrast to the Grand Hall in the classic »shoebox« style, offers seating for up to 550 people.
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Arrival time
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
Admission times:
Events without pre-concert talk:
Recital Hall Foyer: 60 minutes before the start of the event
Recital Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Recital Hall Foyer: 90 minutes before the start of the event
Recital Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Getting here
Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 HamburgThe Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer GrasbrookMultistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
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Finding your seat
All visitors enter the building via the main entrance; access to the concert hall is via the Plaza, the public viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the Tube (long escalator) or lifts. Your tickets will be checked twice: at admissions in the main entrance area and on the Plaza in front of the staircase to the Grand or Rcital Hall. Stairs and lifts lead from the Plaza to the concert hall foyers.
The Recital Hall is situated on the 10th floor and can be accessed via a stairway or lift.
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Cloakroom
The cloakrooms are located in the foyer (fee: € 2). Jackets and handbags may be taken into the hall.
Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).
Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
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Toilet Facilities
Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
An accessible toilet is located in the foyer.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit

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