Vinci: Oratorio per la Madonna del Rosario
Das Alte Werk – Arsenale Sonoro, Francesca Aspromonte, Boris Begelman – »Viva Napoli«
Rarity from Naples
Besides Venice, Naples was also one of the most important musical cities in Italy from the 17th century. French lawyer and scholar Charles de Brosses even described it as the »capital of the music world«. The »Neapolitan School« – a group of composers originating from Naples who for over a hundred years significantly influenced the history of opera and moved stylistically between late baroque and pre-classical were a large part of this assessment. Besides composers Alessandro Scarlatti and Giovanni Battista Pergolesi, still very well-known today, Leonardo Vinci was also part of this circle. With his »Oratorio per la Madonna del Rosario«, 300 years after its premiere, you can now experience a real rarity and rediscovery at the start of the »Viva Napoli« Festival.
Leonardo Vinci’s operas also remained on the repertoires for a long time after his death in 1730 – evidence of the tremendous reputation of the composer. Yet the oratorio to honour the Madonna of the rosary was only handed down in a unique script and was virtually not performed at all any more since its origin around 1723. A challenge which seems to be made for the early music ensemble Arsenale Sonoro, formed in 2014. It has set itself the objective of reviving forgotten musical gems from the baroque period using painstaking research and passionate dedication. With the rediscovery of Vinci, the composer now celebrates his debut at the Laeiszhalle.
Programme (booklet)
Prelude to »Viva Napoli«: the concert introduction (German only)
Performers
Arsenale Sonoro
Francesca Aspromonte Alba
Nicolò Balducci Angelo
Sonia Prina Maria
Fulvio Bettini baritone
Boris Begelman violin and director
Programme
Leonardo Vinci
Oratorio »Per la Madonna del Rosario«
Promoter: HamburgMusik
Supported by Freundeskreis Elbphilharmonie + Laeiszhalle e. V. and Stiftung Elbphilharmonie
Location
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Laeiszhalle
Großer Saal
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
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Cloakrooms
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
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Toilet Facilities
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
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Getting here & parking
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 HamburgThe Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: StephansplatzStadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
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Laeiszhalle is not at the Elbphilharmonie
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
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Arrival time
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
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Photography and video recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.

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