Jugend-Sinfonieorchester Ahrensburg / Sönke Grohmann
Holst / Bartók / Brahms
The »Somerset Rhapsody« by Gustav Holst is an atmospheric and picturesque composition in which Holst was inspired by the idyllic English county of Somerset as well as many English folk songs. Delicate and tranquil melodies at the beginning evoke a sense of rural beauty, from which the full splendour of Somerset emerges: Large hills, meandering rivers and peaceful villages are just a few images that the composer musically conveys to the listener with his melodies over the course of his work.
Belá Bartók’s Viola Concerto is considered one of the most important works for viola and orchestra, and not only in the 20th century. Several versions of this concerto can be found today, which is due to the fact that the composer was unable to complete this work during his lifetime. His pupil Tibor Serly completed the fragments handed down by Bartók into a concerto. The Bartók/Serly version is a three-movement work. It begins with a serious Moderato, followed by a fairly short, slow second movement and a finale in third place, which was composed in an Allegro vivace. Bartók’s compositional style is not based on song-like, motivic melodies as was common in the Romantic period. Instead, the composer creates his themes with a semitone whole-tone scale, which he uses to shape the concerto for viola and orchestra. The demanding solo part is played by 19-year-old Johannes Loschelder from the ranks of the Jugend Sinfonieorchester Ahrensburg.
The Hamburg composer Johannes Brahms took his time with the publication of his First Symphony. He took around 20 years to complete it, putting himself too far in the shadow of the great symphony composer Ludwig van Beethoven. The four-movement work contains a densely woven introduction that introduces the dark and tense themes of the Symphony in C minor. Brahms’ symphonic style is characterised by singing melodies and instrumental solos, for example in the lyrical second movement. This contrasts with the rhythmic and dance-like character of the third movement, for which an exuberant cantilena in the clarinet at the beginning forms the basis. The final movement rounds off his 1st Symphony in C minor brilliantly: here too, Brahms opens the movement with a sombre and tense introduction, then plays an »alphorn melody« in joyful C major before moving on to the main movement, whose main theme is familiar to many thanks to the Hamburg Journal, for example. The themes are developed by Brahms and lead to a coda that rounds off this work impressively.
Performers
Jugend-Sinfonieorchester Ahrensburg
Johannes Loschelder viola
conductor Sönke Grohmann
Programme
Gustav Holst
A Somerset Rhapsody op. 21
Béla Bartók
Konzert für Viola und Orchester Sz 120 / Bearbeitung und Rekonstruktion von Tibor Serly
Johannes Brahms
Symphony No. 1 in C Minor, Op. 68
Promoter: Jugend-Sinfonieorchester Ahrensburg
Location
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Laeiszhalle
Großer Saal
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
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Cloakrooms
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
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Toilet Facilities
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
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Getting here & parking
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 HamburgThe Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: StephansplatzStadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
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Laeiszhalle is not at the Elbphilharmonie
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
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Arrival time
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
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Photography and video recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.

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