NDR Elbphilharmonie Orchester / NDR Vokalensemble / Robin Ticciati
Bruckner
Am 4. September 2024 wäre Anton Bruckner 200 Jahre alt geworden – Anlass für das NDR Elbphilharmonie Orchester, wichtige Werke des großen Komponisten und Organisten über die ganze Saison hinweg in den Fokus zu rücken. Extra tief eintauchen in die unterschiedlichen Facetten seines Schaffens und Wirkens darf man an diesem Abend im Großen Saal der Elbphilharmonie: Bruckners Siebte, seine vielleicht beliebteste Sinfonie, trifft auf weniger bekannte geistliche Musik des einstigen Sankt Florianer Stifts- und Linzer Domorganisten.
Anton Bruckner ist dem Konzertpublikum heute vor allem als einer der wirkungsmächtigsten Sinfoniker des 19. Jahrhunderts bekannt. Der fromme Katholik war aber auch tief in den Traditionen der Kirchenmusik verwurzelt: Als Sängerknabe und Organist war er schon in seiner Jugend mit der musikalischen Praxis im Gottesdienst vertraut; seine ersten Anstellungen erhielt er an kirchlichen Institutionen. Kein Wunder, dass sich in seinem Werkverzeichnis auch zahlreiche geistliche Werke finden, die seinen Personalstil nachhaltig prägten. Darauf lenkt das NDR Vokalensemble unter seinem Chef Klaas Stok den Blick im ersten Teil dieser »Bruckner Night«: Ausgewählte Chor-Motetten – wie etwa »Locus iste« und »Ave Maria« – werden dabei von Orgelimprovisationen umrahmt und weitergedacht, wie sie Bruckner selbst in Sankt Florian oder Linz so eindrucksvoll spielte. Diesen Part übernimmt der mit der Elbphilharmonie-Orgel hervorragend vertraute »EO-Stamm-Organist« und Komponist Thomas Cornelius.
Als »klingende Kathedralen« oder »Messen für den Konzertsaal« wurden im Übrigen nicht zufällig Bruckners monumentale Sinfonien oft bezeichnet. Der gefragte britische Dirigent Robin Ticciati, gegenwärtiger Chef des Deutschen Symphonie-Orchesters Berlin, widmet sich im zweiten Teil des Konzerts gemeinsam mit dem Bruckner-erfahrenen NDR Elbphilharmonie Orchester der Siebten. Die E-Dur-Sinfonie wurde zum Durchbruch des oftmals verkannten Komponisten und beeindruckt nicht nur durch ihre strahlende Schönheit, sondern auch ihren tief bewegenden »Trauergesang« in Gedenken an Richard Wagner im langsamen Satz.
Performers
NDR Elbphilharmonie Orchester
NDR Vokalensemble
Thomas Cornelius organ
conductor Robin Ticciati
Programme
Anton Bruckner
Zwei Motetten für Chor a cappella
Orgelimprovisationen
Anton Bruckner
Symphony No. 7 in E major
Pre-Concert Talk
(in German)
19:00 / Elbphilharmonie, Großer Saal
Promoter: NDR
Location
:
Elbphilharmonie
Großer Saal
Heart of the Elbphilharmonie: the Grand Hall seats 2,100 guests in the »vineyard« style. The stage for artists and orchestras is situated at the centre of the concert hall and is surrounded by terraced seating.
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Arrival time
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
Admission times:
Events without pre-concert talk:
Grand Hall Foyer: 60 minutes before the start of the event
Grand Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Grand Hall Foyer: 90 minutes before the start of the event
Grand Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Getting here
Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 HamburgThe Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer GrasbrookMultistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
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Finding your seat
All visitors enter the building via the main entrance; access to the concert hall is via the »Plaza«, the viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the long escalator. Your tickets will be checked twice, at the access control in the entrance area and on the Plaza in front of the staircase to the Great Hall.
The hall entrances are on floors 12, 13, 15 and 16.
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Cloakroom
The cloakrooms are located on the 11th floor (fee: € 2). Jackets and handbags may be taken into the hall.
Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).
Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
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Toilet Facilities
The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15.
Fully accessible toilets are located on floors 12 (north side) and 13 (right-hand side of the large bar). Our front-of-house staff is happy to assist you in this regard.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit
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