Szymanowski Quartet & Michail Lifits

Elbphilharmonie Sessions: Szymanowski Quartet / Lifits

Mieczysław Weinberg’s Piano Quintet Op. 18 from the Laeiszhalle Recital Hall

The Artists

»It’s hard not to fall in love with this quartet,« the New York Times enthuses about the Szymanowski Quartet, which has been based in Hanover for over 20 years. The quartet takes its name from the Polish composer Karol Szymanowski, who is honoured in his native land as a precursor of the modern age. The four musicians have often played together with Michail Lifits. The Uzbekistani pianist relocated to Germany when he was 16, and has since been living in Hanover – how practical! In this session, the cellist Alexey Stadler substitutes for Monika Leskovar.

Performers

Szymanowski Quartet

Agata Szymczewska violin
Robert Kowalski violin
Volodia Mykytka viola

Alexey Stadler violoncello

Michail Lifits piano

Video from 27 March 2020

Agata Szymczewska, violinist in the Szymanowski Quartet Agata Szymczewska, violinist in the Szymanowski Quartet © Daniel Dittus
Michail Lifits at the piano Michail Lifits at the piano © Daniel Dittus
Volodia Mykytka, violist in the Szymanowski Quartet Volodia Mykytka, violist in the Szymanowski Quartet © Daniel Dittus
Elbphilharmonie Session in the Laeiszhalle Recital Hall Elbphilharmonie Session in the Laeiszhalle Recital Hall
Szymanowski Quartet / Elbphilharmonie Sessions Szymanowski Quartet / Elbphilharmonie Sessions © Daniel Dittus
Szymanowski Quartet / Elbphilharmonie Sessions Szymanowski Quartet / Elbphilharmonie Sessions

The Music :Mieczysław Weinberg: Piano Quintet Op. 18

All five musicians are especially fond of 20th century music, and they are all keen supporters of the works of Eastern European composers. Both these attributes are united in the Polish-Jewish composer Mieczysław Weinberg, who was overshadowed for a long time by his friend and mentor Dmitri Shostakovich. Unjustly so, as the international music scene has recognised in recent years. Weinberg’s music is permeated on the one hand by an immense drive, but on the other it is as fragile as glass, and this also applies to the Piano Quintet, which he wrote during the Second World War.

The Location

The Recital Hall of Hamburg’s Laeiszhalle has an intimate atmosphere that makes it a perfect setting for chamber music recitals. Refurbished after the war, it is one of the few remaining concert halls with authentic 1950s design, and can seat up to 640 people.

About the series

Text: Laura Etspüler, last updated: 24.3.2020

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