In Liszt’s »The Legend of St. Elisabeth«, we meet a woman of courage and devotion. The CPE.Bach.Chor.Hamburg and a grand orchestra bring to life a powerful sound world of faith, love, and dramatic passion.
Hans von Bülow praised Bach's »Well-Tempered Clavier« as the essence of all music. In this spirit, Pierre-Laurent Aimard, celebrated Bach interpreter and sound aesthete, plays a concert of brilliant clarity and depth.
Between Haydn's »Seven Last Words« and Beethoven's »Christ on the Mount of Olives«, a meditative Passion panorama emerges, which Jordi Savall and Le Concert des Nations portray as a deeply human drama of doubt and hope.
Khatia Buniatishvili and the Orchestre de la Suisse Romande under Jonathan Nott plunge into Brahms’s Second and Debussy’s »Images« – Romanticism and Impressionism as a single, breathing sound vision.
Johann Christian Bach, youngest son of Johann Sebastian, tells in his opera »Amadis de Gaule« a heartfelt adventure with dragons, wizards, and princesses – performed by the CPE Bach Choir, the B’Rock Orchestra, and outstanding soloists.
Monteverdi's »L'Orfeo« tells the immortal love story of Orfeo and Euridice – passionate, moving and still touching 400 years later. Leonardo García Alarcón and a magnificent ensemble bring the opera to life in the Grand Hall.
Belgian conductor Paul Van Nevel, cigar lover and master of Renaissance vocal music, is dubbed the »Hercule Poirot of early music«. For 50 years, he has uncovered hidden gems – now performing them with the Huelgas Ensemble at the Elbphilharmonie.
Pianist, singer and sonic explorer Rachel Eckroth blends jazz, indie and electronic textures into atmospheric songs between dream and experiment – her trio creates an intense, cinematic band sound.
Bach’s St John Passion in miniature format: Ensemble Resonanz turns the classical concert format on its head. String orchestra sound meets experimental formats, electronics and surprise guests – a laboratory for new listening experiences.
Sylvain Cambreling and Nelson Goerner present an impressive program: Mozart’s Piano Concerto No. 23 unfolds lyrical elegance, while Bruckner’s Fifth Symphony combines monumental structure with spiritual depth.
Why have just one harpsichord when you can have four? Bach loved concerts like this! Accademia Bizantina and Ottavio Dantone bring triple and quadruple harpsichord works to the Laeiszhalle – a musical and historical highlight.
To the controls, get set, go! In this workshop, young people aged 16 and over learn how to use modern synthesizers to create exciting sounds, noises, and melodies with electricity.
Immerse yourself in the world of jazz! In this workshop, participants will learn about jazz instruments such as the double bass, guitar, piano, vibraphone, trombone, and drums, and at the end they will play their first jazz piece together.
It buzzes and whirrs and hums! With synthesizers, electric guitars, and their voices, the »Bad Bugs« bring the underground sound of the insect world to the stage for children aged 6 and up.
Glück verdoppelt sich bekanntlich, wenn man es teilt. Wie ist das bei Musik aus unterschiedlichen Kulturen? Im Podcast für junge Leute teilt Derya Yıldırım Musik, denkt sie neu und entdeckt Neues.
»I believe in the future«: The Italian conductor and violinist on music as a mirror of our time and the power of optimism.
#EarlyMusic#Interview#Laeiszhalle
A special episode of Elbphilharmonie Talk: content creator Daria Challah meets successful drummer Vivi Vassileva in this video podcast.
#CreatorInResidence#Interview#Podcast#Talk
